I recently came across an exhibition at Tate Liverpool of Piet Mondrian and the relationship between his work and environment, called ‘Mondrian & his studios’ – which focuses as much on his work as it does on how and why he created the pieces he did.
This interested me in particular as it gives you a fresh angle on his world famous style and technique. I’ve visited Salvador Dalí‘s House-Museum at Port Lligat on Spains’ Costa Brava, which I found fascinating as it gave you a window into his world; his inspiration and what stimulated him. And I think this a gives a similar, although slightly contrived simulation of how it might have been to be Piet Mondrian.
The main focus of the exhibition is to explore the connection between his work and urban environments, as he had studios in Paris, Amsterdam & New York at different times during his life – all very unique and iconic cities which had a profound effect upon his work at the time. You can see how urban 3 have influenced his work with, the grid-system of modern cities like New York reflected in his most famous works like the iconic red/yellow/blue rectangles & black line paintings. For example his reconstructed Parisian studio of circa 1925 is essentially a giant living Mondrian made up of movable coloured wall panels.
The exhibition is running at Tate Liverpool until 5th October, find out more here.